Instrumental Solo
6 La Folia (Marais) 6 7 Concerto in B minor (Casadesus/Handel). 7 5 Come il candour (Vaccai) AND Souda Souda (Sibelius) AND own choice German lied from Voice list VIOLIN Level Piece Bk 1 Gavotte (Gossec) 1 6 Sanza l’ambile (Vaccai) AND French or Spanish Art Song AND own choice. Original versions of the Suzuki violin pieces. In 1730, publisher John Walsh issued Sonates pour un Traversiere, un Violon ou Hautbois con Basso Continuo, fraudulently using the imprint of another publisher, Jeanne Roger. Suzuki Motor of America, Inc. ('SMAI') uses cookies on this site to ensure the best browsing experience by optimizing site functionality, analyzing site activity, and personalizing your experience. By continuing to use this site, you agree to SMAI’s use of cookies. For more information, please view SMAI's.
- Bédard, Jean-Baptiste:
- - La Gavotte de Vestris et les Folies d'Espagne avec Variations, Op.39
- Eijkhout, Victor:
- - Ma Follia
- Giuliani, Mauro:
- - 6 Variations sur les Folies d'Espagne, Op.45
- Sor, Fernando:
- - Les folies d'Espagne, Op.15
- Vidal, Paul Antoine:
- - Air des Folies d'Espagnes
La Folia Pdf Suzuki E
Keyboard
- D'Anglebert, Jean-Henri:
- - Variations sur les Folies d'Espagne
- Bach, C.P.E.:
- - 12 Variations über die Folie d'Espagne, Wq.118/9 (H.263)
- Carbajo, Víctor:
- - Follies of Spain
- Esch, Louis von:
- - Turkish Divertimento (Movement 4 is the Folia)
- Liszt, Franz:
- - Rhapsodie espagnole, S.254
- Pacheco, John Manuel:
- - Chorale Prelude on 'La Folia'
- Pasquini, Bernardo:
- - Partite Diverse di Follia
- Rachmaninoff, Sergei:
- - Variations on a Theme of Corelli, Op.42
- Scarlatti, Alessandro:
- - 29 Partite sopra l’aria della Folia
Chamber
- Faronells Division on a Ground
- Anonymous:
- - Partite di follia per flauto
- Albicastro, Henricus:
- - Violin Sonata Op.5, No.6
- - 12 Recorder Sonatas, Op.3 (Bellinzani, Paolo Benedetto)
- Corelli, Arcangelo:
- - Violin Sonata Op.5, No.12
- Guignon, Jean-Pierre:
- - Les Folies d'Espagne, from Op.9
- - Sarabande con variazioni, Thême de Händel (Halvorsen, Johan)
- Marais, Marin:
- - Les Folies d'Espagne, from Pièces de Viole, Livre II
- Pacheco, John Manuel:
- - Theme and Variations on the Folia
- Saleski, Gdal:
- - Chaconne
- Vivaldi, Antonio:
- - Trio Sonata Op.1, No.12, RV 63
Vocal
- - Mer hahn en neue Oberkeet, BWV 212
Orchestral
- Geminiani, Francesco:
- - 12 Concerti Grossi after Corelli's Violin Sonatas, Op.5
- Gutiérrez-Martínez, Arturo:
- - Variaciones sobre la folía de España
- Salieri, Antonio:
- - 26 Variations on La Folia di Spagna
- Zelenka, Jan Dismas:
La Folia Pdf Suzuki De
- - Ouverture-Suite in F major, ZWV 188
External Links
Adagio from Sonata No 3 in F Major
Sonata No 3 in F Major, appearing in Suzuki Violin Volume 6, has long been attributed to G.F. Handel, yet understandably, music scholars have expressed doubts about its origins.
Reading the story of its history solved a quandary of mine, as the Adagio in particular just seems to lack the Handel flavour. Where are the clean melodious voice and lucid harmonies? If you’re interested, you can read the convoluted story of pirated sonatas and the nefarious publisher Mr Walsh here.
Even though we don’t know who composed it, No 3 is an attractive sonata, with a very good second movement, Allegro, as we’ve seen in this previous post.
Adagio from Sonata No 3 in F Major
In some ways the Adagio tries to do too much – with too little. The rather plain descending theme returns in measure 18 in an altered state, and in part again in measure 48. The melody travels along pleasantly enough, yet never seems to get anywhere, except of course at the end.
La Folia Pdf Suzuki Youtube
Nonetheless it compensates for any austerity with some imaginative key changes and unexpected detours, without stretching belief or taking us too far from the path, to finally lead us with a clear sense of direction into the next movement, the excellent Allegro.
In the first of the YouTube videos below, violinist composer Gary Kuo makes an excellent job of transforming it into real music with his fine playing and compelling interpretation.